Music at The Dysart

Our antique rosewood Bechstein grand piano is the cornerstone of our music programme.

Some of the finest classical and jazz musicians, both those making their names internationally now, and some famous established musicians, have graced our salon scale stage, both for our monthly Sunday evening classical recitals, and in providing a subtle backdrop to dining.

The music programme is in the hands of trained classical musician and performer, Manager, Barny Taylor.

To book a seat at our recitals, or to seek more information please:
Email Barny Taylor on
or call on 07967 481625

We bought our Bechstein at Bonham’s in 2006, at auction – an 1897 antique in wonderful condition and with great character. Our performers and audience alike love her tone, soft touch, idiosyncrasies and good looks. Some of those idiosyncrasies of age have been softened in a comprehensive internal restoration in 2017 by piano restorer, Dan Juniper, but the lady has lost none of her individuality and singing tone.

Arriving from Germany to perform as part of the London Jazz Festival, Israeli jazz pianist Omer Klein responded spontaneously, warmly and enthusiastically to the character of the piano, the close relationship with the audience and to the space, shaping his playing accordingly and changing his programme to bring out the best of the piano’s character.

It responds, in sensitive hands, to all types of music, from early music, to romantic, to modern masters, from Bach, through Debussy and Prokofiev to Arvo Pärt – and delivers many colours, pure to rich and dark, but always musical.

It happily and subtly supports the wide range of guest instruments we welcome here, lute, classical guitar, cello, clarinet, oboe, harp, saxophone, viola, the human voice and even classical harmonica.

Our classical recitals take place on the first Sunday of each month.

A “stage” is created with seating arranged around the piano for an intimate and personal atmosphere that is hard to find elsewhere. Some seats have a wonderfully close view of the keyboard, others look directly through the piano at the performer. Invariably, if performers play here once, they want to come back, partly because of the respect and gratitude they receive from our regular and appreciative audience, partly because they appreciate the freedom and boldness of repertoire, partly because they recognise that here at The Dysart Petersham we have a rare quality – the solo and chamber music they play was often written for a salon scale just like ours – a comfortable and intimate place with a great acoustic, where it is easy to relax and listen, to enjoy the intensity of the relationship with the performer, or, for the performer, simply to enjoy playing for people they can actually see around them, encouraged to give of their heart and soul by the warmth from the audience.

We aim, across each series, to present a varied range of performers, ensembles and repertoire, last year introducing lieder and drawing on young musicians who are already performing as soloists and in chamber groups at international venues such as the Wigmore and Carnegie Halls.

Notable past and regular performers include Sir William Bennett, John Lenehan, Malcolm Messiter, Ivana Gavric, Sasha Grynyuk, Evelina Puzaite, Masayuki Tayama.

To add to the salon experience, wine is served in the interval and candlelight supper is available afterwards; our performers enjoy mingling with the diners.

Sunday 9th February, 7:30pm

Olga Paliy – piano

Carl Philipp Emanuel Bach – 12 Variations on The Spanish Follia
Camille Saint-Saëns – ‘Wedding Cake’ Valse-caprice
Ihor Shamo – Ukrainian Suite
Frédéric Chopin – Four Ballades 

Olga Paliy is a Ukrainian pianist successfully combining performance and research in her musical career. Giving her first solo recital at the age of thirteen Olga received her musical education in the Ukraine and the UK. She became a graduate of Tchaikovsky National Academy of Music in Kiev in 2006 under the tutelage of Valery Kozlov, where she was selected for a Presidential Scholarship, as well as Royal Northern College of Music (RNCM) in Manchester in 2009 and 2011, as a student of Norma Fisher. After successful completion of her research at the RNCM under the primary supervision of David Horne Olga was awarded PhD in April 2017.

Olga’s appearances in numerous international piano competitions led her to winning the top prizes in Ragusa-Ibla International Music Competition (Italy, 1997), The Art of 20th Century, (Italy, 1998), The Art of Accompaniment (Ukraine, 2004), The Emmanuel Prize (UK, 2009) and Sussex International Piano Competition (UK, 2014). Olga gave her orchestral debut in 2002 performing Bethoveen’s Third Piano Concerto with Kiev State Symphony Orchestra as a part of Kiev Music Summer Academy. Since then she has worked extensively with Lviv Philharmonic Orchestra, Dnepropetrovsk Philharmonic Orchestra, Manchester Beethoven Orchestra and Worthing Symphony Orchestra engaging her audience with concertos by Beethoven, Brahms, Liszt, Mendelssohn, Ravel and Prokofiev. Olga has been also appearing widely as a recitalist and chamber musician in major venues in the UK, Italy, Switzerland, Latvia, Russia and Ukraine interpreting wide range of repertoire, from Bach and Scarlatti to Carl Vine and James MacMillan.


Tickets £20 including a glass of wine and a £1 donation to Africat
Or £46.50 including a two course meal after the concert and a glass of wine and a £1 donation to Africat


Please get in touch with Manager, Barny Taylor by email to:
or call 07967 481 625

We enjoyed a wide range of sensitive and thoughtful musicians, bringing insight to a wide range of music, from Bach, through Liszt, Schubert, Janacek, Debussy, Franck, Rachmaninov and Sibelius to Martin, Rojas, Tarrega, Brouwer and Albeniz. The programmes are archived here. 

Joseph Tong gave us a thoughtful evening of music composed around the age of our grand piano, with atmospheric pieces by Debussy conjuring ideas of the time of China with gamelan like notes, the palaces and gardens of Granada and gardens in the rain, and Sibelius’ pieces known as the Trees, informed by his performance of Sibelius’ piano pieces and piano transcriptions in Sibelius’ own home and on Sibelius’ own piano. His first Sibelius recording is available on CD.

The piano is also a subtle partner for other instruments. May 2016 moved the focus to clarinet, reeds and piano in sensitive and equal partnership and from established classical repertoire to pieces that have become new classics, also open to rich and diverse interpretation through the insightful musicianship of Alan Barnes, clarinet/saxophone and David Newton, piano – a duo of one of the leading clarinetists and saxophonists in the world and a pianist voted ‘Best Jazz Pianist’ in the British Jazz Awards for the thirteenth time in 2014. They performed the music of Harold Arlen and Jerome Kern from The Wizard of Oz and Showboat in a recital that was variously joyous, humorous and revelatory. Who says what is ‘serious’ music and what is not!

Veronika Shoot, a much loved regular here, brought her customary intensity, warmth and verve, showing her Russian soul in Rachmaninov’s second Sonata; like Vladimir Horowitz, Veronika drew on both the early composition and Rachmaninov’s much later revision to play the sonata in a form close to Horowitz’s.

Bach, Elgar and Debussy were performed, transcribed for classical harmonica, by Philip Achille, classically trained from a young age by one of the great masters of harmonica, and gently accompanied by concert pianist, Nathan Tinker. Ramon Ricker’s Jazz Sonata, then brought together modern classical and jazz.

Our December 2017 recital, four hands, brought together two firm favourites of our audience, two big personalities, concert pianists Veronika Shoot and Sasha Grynyuk in a programme of well loved pieces, Schubert’s Fantasie, Barber and Mozart to round off the year with the intense and subtle musicality to be expected of them, joyously delivered and with an irrepressible sense of fun.

Veronika also opened the recitals of 2018, this time as soloist, inspired by her own childhood and influenced by her new CD album which includes Debussy’s Children’s Corner, Schumann’s Kinderszenen and works of Takemitsu, Korngold and of her father.

Our programme for 2018 continued in equally broad range of music and styles as in previous years.

The programme included Rebeca Omordia – piano, Alicja Smietana – violin, Olga Paliy – piano and regular performer here on Cuban guitar, Ahmed Dickinson who played here this time as one of two guitars with one of his great inspirations, friend and master, famous composer for the guitar, Eduardo Martín, an exceptional combination, perfect for our intimate soundstage. This was rich in meaning for Barny and Julia who were married in St Peter’s Church to guitar music from Martin’s Canciones de Calendario, played by Osamu Yano.

Two recitals by An-Ting Chan and Stephen Gutman espoused complete themes for their programmes, respectively, themes of fantasy (Orlando Gibbons a personal highlight) and ‘revisionings’ for fresh perspectives – Stephen introduced: ‘Mozart transcribes his own violin Sonata. Tchaikovsky refashions a theme in six very different ways. Liszt reworks Berlioz. Debussy ‘revisions’ gamelan, the music of Andalucia and nursery rhymes in his glowing Estampes’.

As usual the year ended with a programme from Masayuki Tayama that moved from Beethoven’s Appassionata and Rachmaninov Transcriptions to pieces chosen to lighten the spirit before Christmas.

Our programme for the end of 2019 and a look into 2020 as follows:

Looking ahead, we welcome:

Sunday 8th December, 7:30pm – Poom Prommachart – piano
Chopin – 24 Preludes op. 28
Carl Vine – Sonata no.1
Babajanian – Poem for piano
Khachaturian – Vocalise 

Sunday 12th January, 7:30pm – Rebeca Omordia – piano
Robert Schumann – Kreisleriana op. 16
Carnaval op. 9
John Ireland – Sarnia: Le Catioroc
Amberley Wild Brooks

Sunday 9th February, 7:30pm – Olga Paliy – piano
Carl Philipp Emanuel Bach – 12 Variations on The Spanish Follia
Camille Saint-Saëns – ‘Wedding Cake’ Valse-caprice
Ihor Shamo -Ukrainian Suite
Frédéric Chopin – Four Ballades 

Sunday 1st March – Adam Heron – piano
Programme to include
Frédéric Chopin – Sonata No. 3 in B-minor Op. 58

We would like to thank our audiences for their warm support, enthusiasm, loyalty and friendship, We look forward to welcoming you to our recitals in 2019.


Please get in touch with Manager, Barny Taylor by email to:
or call 07967 481 625

Past concerts at The Dysart Petersham

Sunday 12th January 2020, 7:30pm

Rebeca Omordia – Piano

Chopin – 24 Preludes op. 28 Carl Vine – Sonata no.1 Babajanian – Poem for piano Khachaturian – Vocalise “I’ve been working with the brilliant young pianist, …


Sunday 8th December, 7:30pm

Poom Prommachart – piano

Chopin – 24 Preludes op. 28 Carl Vine – Sonata no.1 Babajanian – Poem for piano Khachaturian – Vocalise Poom Prommachart studied with Dina Parakhina at the …


Sunday 3rd November, 7:30pm

Maya Irgalina – piano

Bach-Busoni – Chaconne Ravel – Sonatine Chopin – Piano Concerto No. 1 (solo piano arrangement) Belarusian Maya Irgalina is the graduate of the International Artist Diploma in Solo Performance at …